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雄狮归来
剧情简介暂缺,敬请期待
导演:暂无 主演:阿贾耶·德乌干/卡琳娜·卡普尔/迪皮卡·帕度柯妮/阿克谢·库玛尔/兰维尔·辛格/泰戈尔·什罗夫/阿琼·卡普尔/杰奇·史洛夫/什维塔.迪瓦里
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◎3.5▶二月泉
老实巴交的农民张强很喜欢二泉映月,五年前他救了一个商人程刚,程刚为了报恩,在张强的村子里建了一个造纸厂,八年后,张强的女儿得了白血病,张强查出女儿的病与造纸厂的污染有关,由此他走上了一条不归路。
◎6.4▶红发
Julien Duvivier最好的作品之一也是他认为自己所有默片中最喜欢的一部。 Summary Bullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear... Review Drawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte. The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.
◎5▶艺术对决
The Price of Desire tells the controversial story of how Le Corbusier effaced and defaced Eileen Gray's moral right to be recognized as the author of her work and as one of the most forceful and influential inspirations of a century of modern architecture and design.
◎5.7▶篮球之心
电影根据真实故事改编。在高中的科里是出了名的打篮球的高手,他在高中创下自己进球1000分的传奇。他的梦想是将来成为一名出色的篮球运动员,在大学继续自己的爱好。但是在大一,有一次跟自己的好友波普斯在健身房锻炼的时候出现中风,导致自己一度陷入生命危险,更别说继续自己的篮球梦。接下来科里度过了自己人生中最艰难的日子。随着成为残疾人,深爱的女友因为这行疾病和他提出分手,但这一切并没有打倒科里。经过艰难的手术治疗和康复训练,科里仍旧决定回到学校的篮球队,继续自己的篮球梦。在家人、好友的支持下,科里最后能重返球场,在比赛结束的最后20秒投进一球。比赛结束后,科里决定以此来激励自己,并且激励那些有身体残疾的人。
倒计时
The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
◎7.7▶天国之恋火
町山健太(玉山铁二 饰)本是一名钢琴演奏家,在惨遭解雇后,他又莫名其妙的来到了据说是“天堂”的地方,在那里,他成为了“天堂书店”的店员。健太的主要任务就是为前来书店的顾客们读书,一天,一位名叫桧山翔子(竹内结子 饰)的美丽女子来到了店里,让健太吃惊的是,这位翔子竟然是自己曾经的音乐导师,正是因为仰慕翔子,健太才会走上音乐之路。 镜头转回人间,泷本(香川照之 饰)是制作烟花的高手,但一次意外中,他的妻子因为烟花的爆炸而失去了听力,心中充满了自责的泷本决定再也不碰烟花了。之后,一位名叫长濑香夏子(竹内结子 饰)的女孩找到了泷本,希望他能够重拾手艺,为花火大会制作独一无二的“爱的烟花”,泷本发现,这位名叫香夏子的少女竟然拥有和妻子极为相像的面容。
◎7.4▶我们的女孩们
For years, two couples have enjoyed a holiday home in the Alps, basking in their friendship. But when their 14-year-old daughters suer a devastating accident, the couples’ bonds are put to the ultimate test. Can their relationships withstand the strain and come out intact?
◎8.3▶恋上哲学家
俄裔哲学家、心理学家露·安德烈亚斯-莎乐美寡居在纳粹德国,一位年轻学者的到访令她回想起自己的过往,圣彼得堡的求学生涯、青年时期的成就与爱情一一浮现在眼前。本片是哲学家莎乐美的传记电影,用交叉剪辑的方式将她生命中最重要也最富传奇色彩的三个时段呈现出来,连接这些片段的线索则是明信片,角色被放置于静态的景物和人物之间,宛若行在画中。
◎8.2▶混蛋2013
某夜,在巴黎地区,一家小鞋厂的老板Jacques跳出窗外。Sandra恳求自己的哥哥,在印度洋阿联酋附近开大型油轮的船长Marco为了她回到法国、放弃轮船。“Marco,回来吧,为了我,帮助我,为我们报仇,杀死这个毁了我们一切,劫走我们钱财的坏人。是他害死了Jacques。我只有你了,Marco。你不能总是逃避家庭。我需要你。我的女儿,你的外甥女Justine,也需要你。”“我想展现热爱海洋的人如何接近死亡。”(F. Pessoa)
◎8.9▶骏马奥斯温2
曾在2014年上海国际电影节展映的德国儿童片《骏马奥斯温》以小女孩米卡和神驹奥斯温之间的真挚情感打动了不少观众。本片是其续集,讲述米卡成大了,她和奥斯温的重聚却面临马场破产的危机,他们能战胜新的挑战并破除难关吗?女主角汉娜·宾坷是童星出身,13岁出演《骏马奥斯温》,这次随着她年龄长到16岁,导演卡嘉·冯·加纳也特意为她添加了情窦初开的少男少女恋爱戏码,加上德国明媚亮眼的风景,以轻松明快的节奏演绎出人与动物和谐共处的乐章。
◎5▶性别为本
鲁斯(菲丽希缇·琼斯 Felicity Jones 饰)渴望成为一名律师,并且凭借着自己的努力考上了哈佛大学的法学院。在法学院里,鲁斯因为身为女性而遭到了来自各方面的歧视和压力,只有他的丈夫马丁(艾米·汉莫 Armie Hammer 饰)坚定的支持着妻子的选择,因为他明白,鲁斯充满了天赋和正义感。 马丁被查出患上了癌症,病愈之后,他带着孩子们前往纽约工作。为了能够和自己的家人们生活在一起,鲁斯向学校提出希望能够转去哥伦比亚大学完成学业,却被拒绝了。之后,鲁斯离开了哈佛,成为了罗格斯大学的法学教授,可即便她是这样的优秀,依然没有律师行肯聘用她,只因为她是一个女人。
◎9.8▶绿山墙安妮
改编自加拿大作家露西·莫德·蒙哥马利(Lucy Maud Montgomery)的同名长篇小说。2016年新拍版电视电影。住在爱德华王子岛艾凡里镇上的一对单亲兄妹马修·卡斯伯特和玛莉拉·卡斯伯特,
◎--▶激情邀约
改编自2020年西班牙电影《多愁善感》。 一对结婚多年的夫妇婚姻出了问题,一天碰巧邀请楼上性观念开放的邻居来家做客,这一夜充满意想不到的转折,逐渐揭示他们内心深处压抑的情感和未曾探索过的性取向。
◎--▶乐土之狱
17岁的英国孤女露西·格拉德威尔失去双亲后,遵照遗嘱漂洋过海,来到热带海岛上的橡胶种植园,投奔担任庄园主的叔叔乔治·休顿。这片风光旖旎的乐土看似是新生的归宿,实则处处是森严的规则与无形的枷锁。叔叔的严苛控制、阶层的巨大鸿沟,让她处处感到窒息。她与当地青年克里希纳暗生情愫,这场跨越身份与种族的禁忌之恋,彻底点燃了她与整个旧秩序的对抗。
◎--▶感觉就像爱
暂无简介,敬请期待
◎--▶欢迎回家,宝贝
朱迪思是柏林的一名急诊医生。当她从奥地利的一家人那里继承了一栋房子,而这家人正是她在童年时期被送给的收养家庭时,她踏上了揭开自己身世之谜的旅程。然而,这一探寻最终变成了一场噩梦般的探索,不仅揭开了过去的面纱,还深入到了她灵魂深处的黑暗地带。
◎--▶万恶之恶
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◎--▶热血大陈岛
影片以大陈岛垦荒历史为创作底色,在尊重历史真实性的前提下,以年轻化、科技化的光影语言活化红色记忆,生动诠释了“艰苦创业、奋发图强、无私奉献、开拓创新”的大陈岛垦荒精神,斩获第五届亚洲国际青年电影展金兰奖“最佳AI影片”等两个奖项。