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舐犊情深
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导演：暂无 主演：希拉里·斯万克奥利维亚·库克杰克·莱诺霍珀·潘诺姆·刘易斯凯伦·奥尔德里奇罗伯特·洛夫图斯珍妮丝·迪隆
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◎3.8▶柳生家族的阴谋
元和九年（1623年），德川第二代将军秀忠在江户大奥内暴卒，其死因尚未查明，下任将军继承人的问题旋即便被摆上台面。秀忠生前宠爱幼子忠长（西郷輝彦 饰），京都皇族也对其甚为看好，故而江户多数大臣全力拥护忠长出任第三代将军；另一方面，忠长的兄长家光（松方弘樹 饰）是第三代将军的合法继承人，其背后有老中松平信纲（高橋悦史 饰）等文臣的支持，更有将军剑术师傅——柳生宗炬（萬屋錦之介 饰）及其武士家族充当坚强的武力后盾。 为使家光成功践祚，柳生一族广结同盟，在对手处安插眼线，甚至不惜采取暴力手段达到目的。那个夏天，江户城内外陷入权力斗争以及血雨腥风之中……
◎6.3▶一千零一夜第1部：不安之人
深受国际影坛瞩目的葡萄牙导演米格尔戈麦斯，继享誉国际的《金色八月天》、《禁恋》后，以长达383分钟的新作《一千零一夜》三部曲，呈现当代葡萄牙的众生相。首部曲《一千零一夜I：不安之人》以天方夜谭中诉说故事的皇后雪哈拉莎德展开，藉由三段故事描绘富人、穷人、强者、鲁蛇、小偷和诚实的人，如何在金融风暴下存活下来。米格尔戈麦斯结合现实主义色彩与冷调幽默的讽刺笔触，犀利批判政府的财政计画，令人大呼精彩。
◎5.1▶无马之日
马来西亚导演杨毅恒新作，十足东方韵味的《无马之日》讲述被迫分隔在日本和马来西亚的一对双生姐妹，和她们晚辈之间的羁绊。浓得化不开的情绪，在娓娓道来般的叙事手法里绵延。以多部作品入围东京国际电影节主竞赛的杨毅恒导演，其最新作品《无马之日》集结了萧丽玲、陈美君、永濑正敏、水原希子等实力戏骨和新生代超人气演员，探讨多元化环境，赋予社会现实新的诗意，极具观赏价值。
◎4.6▶刚果杀戮事件
In the spring of 2009 two Norwegian adventurers, Joshua French and Tjostolv Moland, are accused of killing their hired chauffeur just before crossing into the eastern Congo. The following manhunt starts a political and diplomatic headache.
◎8.9▶反噬
和老公共同创业多年获得巨大成功的美女董娟(陈实秋 饰)在一次无意中发现了自己的老公在和情人Lily(颜美汐 饰)约会。极度不甘心的她找到私家侦探王军(刘奕凯 饰)为其找寻老公出轨的证据。王军在一次次的深入调查中却发现了越来越多不可解释的神秘现象，而其委托人董娟却在深入调查中渐渐出现离奇癫狂的行为。为了帮助董娟找回自我王军迫不得已找到了人们口中的桃大师(巩金国 饰)为董娟治病，然而更加怪异的事件却接踵而至，并且导致自身也泥足深陷。
◎7.6▶魔术师
20世纪50年代末期，曾经风靡一时的剧场风云变幻，人们迷恋电视、迷恋摇滚，对于曾经伴随他们长大的各种杂耍则不再关注。他是一个经验丰富的魔术师，舞台上得体从容，现实中却不得不为了可怜的生活费而流转于各个表演场所，上至华贵的音乐厅，下至破落偏僻的小酒馆，不变的是他对魔术的执着。在苏格兰某个乡间逗留时，魔术师结识了一个小女孩，她感叹于那些神奇的魔法，于是偷偷离开故乡，转而追随魔术师的脚步。他们辗转来至爱丁堡，生活变得愈加艰辛，而为了满足女孩对魔法的信任和对繁华世界的向往，魔术师不得不想各种办法去赚钱…… 本片荣获2010年欧洲电影节最佳动画片奖、2010年纽约影评人协会最佳动画片奖。
◎7.5▶捍卫游侠
故事发生在1900年，美国人马修是一个神枪手，为了一则招募神枪手的广告他跋涉了三个月来到澳大利亚，途中还顺便解救了一位把他错认为是男友的姑娘“疯狂”考娜。他们来到了马斯顿农场，却发现农场主马斯顿的雇佣他的目的是要让他射杀当地的土著人。愤怒的马修把马斯顿扔出房间，却被农场的打手们打的不省人事。然后又和考娜一起被扔到丛林中让他们自生自灭。二人被土著人救起。但得知了消息的马斯顿随即高价悬赏马休的人头，并派出手下追杀他们。面对马斯顿的嚣张和土著人的善良，认真起来的马修和考娜二人的报复同样冷酷而残忍。
◎8.6▶荣耀六十年
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
◎3.3▶挂线情未了
年老的劳（沃特尔•马修 饰）有三个女儿，可是他很少与女儿们见面，平常女儿们都只是打电话询问老父亲的情况。身为妇女杂志主编的大女儿乔姬娅（黛安•基顿 饰）每天的工作都非常繁忙，身居要职的她每天都在努力工作；二女儿艾薇（梅格•瑞恩 饰）美丽动人，但也同样与父亲缺少沟通；至于三女儿则是个演员，虽然不是大红大紫，但她仍享受自己的工作。 父亲从来都很少照顾女儿们，也很少关心她们的生活，无形中也成为了女儿与父亲之间的隔阂。父亲有自己孤独的晚年生活，女儿们也有各自要忙碌的工作与生活。 可是当有一天，三姐妹接到老父亲病倒的消息，都纷纷赶到了父亲的身边……
◎9.2▶跃马英雄
改编自真人真事的励志电影，描述二十年代的乡下少女索诺娜，她热衷于骑马，成为一名出色的驯马师，于是离开家庭，加入了一个巡回表演的马戏团。在那里她学到了精湛的骑马技术，甚至可以表演从四十尺高台上策马跳下大水槽的惊人特技。导演史蒂夫．迈纳将这部励志小品拍得相当流畅动人，亦表现出年轻人的坚持和勇气。女主角加布里埃尔．安瓦尔个性鲜明演技自然，后来主演了名片《女人香》。老牌影克利夫．罗伯逊则饰演马戏团团长。
◎8.1▶凭火决狱
The tragic and controversial story of Cameron Todd Willingham, who was executed in Texas for killing his three children after scientific evidence and expert testimony that bolstered his claims of innocence were suppressed.
◎8.8▶世界的阿菊
本片以江户时代末期的长屋贫民街为舞台，描写了两个年轻掏粪工与落魄武士家大小姐的爱情。黑白色调、学院画幅、章回体叙事，在这个喧嚣的时代，导演以激进的姿态回归古典，用他最擅长的喜剧形式写尽底层百姓人生，不断挖掘人性的光辉。曾获柏林国际电影节最佳女演员奖，并三度获得日本电影学院最佳女配角奖的黑木华，用无声的演技完美诠释失声后的女主角阿菊，又一次贡献出卓越表演。
◎--▶欢迎回家，宝贝
朱迪思是柏林的一名急诊医生。当她从奥地利的一家人那里继承了一栋房子，而这家人正是她在童年时期被送给的收养家庭时，她踏上了揭开自己身世之谜的旅程。然而，这一探寻最终变成了一场噩梦般的探索，不仅揭开了过去的面纱，还深入到了她灵魂深处的黑暗地带。
◎--▶万恶之恶
In detail, The Villain of Villains follows 12-year-old rebellious Stephanie, who dreams of becoming a superhero like her late mother but fails the entrance exam to the Hero School. She gets a second chance if she infiltrates the Villain School to retrieve a powerful artefact that's been stolen. At the Villain School, her loyalty is tested, and her search leads her to the Villai...
◎--▶热血大陈岛
影片以大陈岛垦荒历史为创作底色，在尊重历史真实性的前提下，以年轻化、科技化的光影语言活化红色记忆，生动诠释了“艰苦创业、奋发图强、无私奉献、开拓创新”的大陈岛垦荒精神，斩获第五届亚洲国际青年电影展金兰奖“最佳AI影片”等两个奖项。
◎--▶破暗
暂无简介，敬请期待
◎--▶猎虎贰
暂无简介，敬请期待
◎--▶港城大劫案
暂无简介，敬请期待