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亲仇记
该片讲述了青春女护士楚楚（哈妮饰），疯狂爱上了有妇之夫医院院长耿峰，从此开始与院长妻子沈冰儿的明争暗斗，但道貌岸然的耿峰背地干着为日本人捐献人体器官作研究的卖国勾当，由于担心事情败露，设计陷害沈冰儿，天真的楚楚在无意中发现了自己深爱的男人的罪恶行径，决心与其决裂，但惨遭枪杀，耿峰最终被赶来的警察绳之以法。由于剧情矛盾冲突戏份较多，拍摄过程中，哈妮的耳环丢失好几次，最后剧组只好派专人“贴身保护”。
导演：暂无 主演：袁中方/高凯元/段静/陆纪依/臧富莹/陈哈妮
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◎9.9▶内德的步枪
《内德的步枪》是三部曲的最终章，前两部分别是《傻子亨利》(Henry Fool)和《国家密码》(Fay Grim)，为以另类眼光看美国社会的边缘提供了一个恰到好处的结尾。 在这部电影中，Henry（Thomas Jay Ryan 饰，《傻子亨利》片中角色）和Fay（Parker Posey 饰，《国家密码》片中角色）也出现了，但他们变成了一幅画像，慈爱地看着他们的儿子Ned，Ned今年十八岁，最近才刚从证人保护计划中释放。尽管基督教徒从他的养父-一个教堂牧师手中接过他抚养，但Ned还是设定了报仇的目标：杀死他的父亲，因为那个人毁了他母亲的生活。当这个严肃又端庄的年轻人开始他的复仇之旅，他很快就发现自己进入了典型的哈特利式的异端分子的团伙中……
◎4.5▶王子之剑
To escape the clutches of the evil warrior and sorceress Morgana, Merlin transports young King Arthur into modern day America. When Merlin comes back ten years later to retrieve him, he finds a hip 15 year-old Arthur who does not believe Merlin, nor does he want to return to the past. Merlin must convince Arthur of his true identity, before Morgana can retrieve Excalibur and allow the Dark Forces to take over the world.
◎7.1▶内地1929
Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
◎3.5▶再见妈咪
莎莉是一个坚强的职业女性，丧夫后与10岁儿子安仔相依为命。但她不幸患上血癌，只有6个月的寿命。安仔自幼依赖母亲，性格柔弱。为了培养安仔独立生活的能力，她把儿子关到郊外的孤儿院。安仔在孤儿院与其他儿童过着群体生活，培养出自立的性格与领导才能。
◎6.7▶保卫圣诞老人
滑雪胜地小镇治安官斯科特汉森在平安夜接到一辆汽车抛锚的报告时，在一片白雪皑皑的森林里偶然发现了一位熟睡的圣诞老人。圣诞老人在昏迷了将近一年之后，他的雪橇是否能正常运行还存在疑问，因此他将接受审判以捍卫自己的身份。当小镇学会“相信”，治安官汉森，一个父亲和鳏夫，也开始爱上圣诞老人的法庭任命的辩护律师，莎拉。
◎5▶何者
拓人（佐藤健 饰）在大学时代参加了话剧社团，一心想要在舞台上做出一番建树。然而毕业后，他和大部分应届生一样，放弃了表演，穿上西装打上领带，奔赴在各大公司的面试会场之间。瑞月（有村架纯 饰）和光太郎（菅田将晖 饰）是拓人的同窗兼好友，两人曾是一对恋人后来分手，而如今的拓人依旧默默的爱慕着瑞月。 瑞月的肩上背负着赡养家庭的重担，因此在找工作上格外拼命，而光太郎曾是乐队的主唱，过惯了自由散漫的生活的他如今亦加入了求职的队伍之中。巨大的压力，无数的竞争者，稀少的内定名额，眼看着瑞月和光太郎等人一个接着一个的拿到了名额，拓人的内心渐渐产生了微妙的扭曲。
◎7.1▶血色深宅
麦城首富薛自成家里出了桩怪事，二太太做梦天上落了雨水，到了地上全变成了血。薛自成不信邪，随手拿起洒水壶洒到地上，发现地面上居然真的出现了血字“血债血偿”…… 在风水先生的指引下，薛自成重金购得辟邪圣物——佛指舍利，并且在自己家里特意修建了精舍来供奉。但薛自成第一次祭拜佛牙就当场毙命，七窍流血而死，留下三位貌美如花的夫人守寡。一时间，麦城上下，无不震动。 薛自牧时隔五年重返故里，却遭遇长兄暴毙。而家里所有人都吞吞吐吐，欲言又止。包括他的初恋情人，后来变成大嫂的兰芷。似乎向他昭示着薛家这座深宅之中藏着一个不可告人的秘密…… 当地警察腐败无能，未经仔细检查就断定是正常死亡。薛自牧从蛛丝马迹中推断哥哥死于谋杀，他下定决心要查出真相。 薛自成一死，三位太太反应不一。大太太抱着儿子伤心恸哭，二太太马上将藏在梳妆台里黑色药瓶和银针抛进池塘中，三太太柳莺莺则嚷着要分家产回娘家。这一切都被薛自牧看在眼里。 目前，嫌疑最大的是二太太裴芸。因为薛自牧初步判断大哥是中毒而死，而裴芸丢掉的药瓶中装的正是剧毒液体。但裴芸很快也离奇地死在了供奉舍利的精舍中，死状与薛自成一模一样。 经过化验，瓶中的液体并非致薛自成于死地的原因，因此排除了裴芸杀人的嫌疑。薛自成中的是岭南人最为擅长使用的蛇蛛毒。这个结果让家中主仆无不色变。据大太太的仆人菊妈说府里有个丫鬟，名为月眉，老爷要娶她做四太太。去年夏天因产后风而死，而她正是岭南人！ 三太太柳莺莺看到薛自牧查出了死因，变得格外慌张。薛自牧发现她和沈裁缝暗中通奸，企图私奔。他施计阻止两个人的计划，但没有想到的是，从不信佛的柳莺莺居然也死在了精舍中，同样她也是在烧香叩拜时暴毙的，同样也是中了蛇蛛毒。可里里外外检查了几遍，都没有发现毒从何来。 大太太兰芷明白了一切，主动提出要祭拜舍利。薛自牧为了确保安全，兰芷触碰到的每一件物品，都要先过他的手，但兰芷仍旧在他面前毒发身亡。 悲愤之中，薛自牧脑子中诸多线索忽然变的清晰起来，他忽然想明白了一切： 月眉与大太太在同一天临盆。二太太多年未孕，她知道月眉生下的是宋管家的种，便要挟他弄死月眉生下的孩子。正好大太太产下死婴，宋管家将计就计调了包，让月眉以为胎儿夭折。而三太太与沈裁缝私通，误被月眉撞破，怀恨在心。借死婴不吉利说服迷信的薛自成，淹死月眉。宋管家没想到自己又成为这一命令的执行者， 他保住了月眉的命，让她逃离了薛府。月眉受此打击，几乎疯癫…… 一年后，月眉的姐姐也就是菊妈，以仆人身份进入薛府为妹妹报仇。其实毒被涂在香上，每个祭拜的人都烧香拜佛，香烧尽了，自然就找不到毒的来源。
◎6.8▶宋慈之绝命诗案
法医宋慈上任通古县县令，然上任当天便遇到前来盗取绝命诗案卷宗之人，三年前的一场冤案就此浮出水面，召文阁内数名书生又因绝命诗接连惨死，一时间“绝命诗索命”谣言四起，这一切到底隐藏着何种阴谋，真相终将浮出水面，只是隐藏在真相背后的冤屈，妻离子散的家庭，又该如何重聚……
◎3.5▶命中注定遇见你
这是一个暖心的家庭喜剧，是关于男人和男孩们一起学习如何才能成为一个真男人的故事。本片由凯文·索伯和艾美·葛兰特领衔主演，带领大家从郊区到森林深处冒险并返回，途中不乏欢笑与泪水。
◎6.2▶超级小郎中之鲛人泣珠
乡村小医生杨逸机缘巧合之中卷入乔兰未婚夫大志暴毙的离奇案件。神秘的歌声，鲛人泣珠成泪的传说，怪异的玉梳将杨逸一步步引向神秘的河底，在案情逐渐明朗之际却屡屡遭到神秘力量的阻拦与破坏。杨逸无意之间得到神仙姐姐的指点，逐步解开谜团，拯救神仙姐姐，成为一代超级小郎中。
◎6.4▶魔鬼的陷阱
In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vláil, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vláil made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vláil, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village. The film also features the evocative music of Zdenk Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vláil, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act. The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vláil's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
◎5.8▶蒂拉·耶马
影片讲述了参加过伊拉克战争的两兄弟因为战争留下了无法弥补的心灵创伤，展现了两兄弟之间的相爱相争，内疚与宽容的一面，同时也体现了战争的残酷无情。
◎--▶雷诺阿2025
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◎--▶庆州纪行
母亲玉实（李姃垠 饰）在杀害小女儿京珠的犯人出狱当天，和三个女儿前往庆州展开的特别家庭旅行，目的就是为小女儿复仇。
◎--▶90米
本片由曾有照顾母亲经历的中川导演执导，是一部半自传性质的作品。故事讲述面临人生抉择的高三学生藤村佑（山时聪真 饰），与身患重病却始终关爱儿子的母亲美咲（菅野美穗 饰）之间的亲情故事。在命运与时间的交织中，母子二人一同面对生命的无常与温柔，展现出深沉的爱与别离的勇气。
◎--▶缘财天降
一念真心，财暖人间
◎--▶不存在的罪人
当红小说家维瑞蒂（安妮·海瑟薇 饰）因故无法写作，落魄作家洛温（达科塔·约翰逊 饰）接受了为她代笔的工作。然而在整理资料时，洛温发现了一份深藏秘密的自传手稿，记录着维瑞蒂丈夫杰里米（乔什·哈奈特 饰）那些扭曲骇人的“告白”。洛温自此陷入爱情、谎言与欲望的拉扯中，难分现实与虚构世界，她该如何看清真相？ 影片改编自柯琳·胡佛的同名畅销小说。
◎--▶储物柜2025
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