点击播放《蝉时雨》
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蝉时雨
江户时代的东北的海坂藩，下级武士牧文四郎（市川染五郎 饰）的养父卷入一场派系之争，最终养父被勒令切腹自尽，牧家旋即败落，文四郎也背上了叛徒子女的恶名。 文四郎与少女阿福自幼青梅竹马，互有爱意。然有缘无份让二人擦肩而过，天各一边。此去经年，如今的文四郎仍是一名郁郁不得志的小武士，而阿福（木村佳乃 饰）则早已成为藩主的宠妾。为避免在夺嗣之争中惹祸上身，怀有身孕的阿福被秘密送回海坂，文四郎违抗一位家老抢夺阿福孩子的命令，反而成为她与她的孩子的贴身护卫。蓦然回首，沧海桑田，两个相爱之人别有一番滋味在心头…… 本片根据藤泽周平同名小说改编。
导演：暂无 主演：市川染五郎/木村佳乃/绪形拳/石田卓也/佐津川爱美
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九州的阿苏地区接二连三出现去世的人重返亲人身边的事情，他们保持死亡之前的样子及记忆，为何能够死而复生？调查员川田平太（草剪刚饰）开始调查这个不可思议事件的产生原因。回到故乡后，平太与已故好友俊介的未婚妻橘葵（竹内结子饰）重逢，橘葵一直希望溺死海中的未婚夫俊介能够回来，强烈的思念使她无法感受到平太的好感。有一天平太终于发现死人复活的秘密：“生者记忆不灭，死者便永存”。一直暗恋着橘葵的平太，心里虽有很大挣扎，但为了完成橘葵心愿，平太还是决定想办法让俊太复活。然而，复活只有三天期限，事实并非表面所见……
◎8.5▶我们的青春不怕疼
随性而又充满阳光的尚天是广告设计师，有三个大学死党：沈新、玖零和开淘宝店的雨彤。充满豪情的尚天辞职开了自己的设计工作室，却因为父亲公司的债务问题，让自己刚刚起步的事业遭受了重创，雨彤和费小白相亲，好友沈新和玖零搅黄了相亲局，没想到也因此惹来了麻烦。费小白不断纠缠雨彤不仅设计陷害了她，还乘人之危将尚天的设计稿费据为己有，一时间阴谋、算计、背叛和各种疑心充斥在这群青年人中间，究竟他们如何突围，这一切都是他们青春路上的考验……
◎9.6▶爱的奇迹
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◎7.7▶结婚七年
郭怡敏（苏岩 饰）与余强（刘冠军 饰）已结婚七年，老公的一次出差归来，让怡敏抓住了余强对她不忠的证据。为平抚难耐的心绪，她给老公留下一纸便条独自去了厦门。在酒店由于她与来厦出差的钟孝良（董勇 饰）相互拿错了行李，钟孝良对她产生了兴趣，并对其发动爱的攻势，而怡敏也对这个细心体帖的男人产生了好感。交谈中，钟孝良坦露自已结婚多年，与妻子早没了昔日的激情，钟的坦诚是不言而喻的，怡敏陷入了深深的矛盾之中，最终她未能经的起异性的诱惑，与钟发生了一夜情。回到北京后，余强承认了自已曾经的不忠，怡敏听后无言以对。一年后一个偶然的瞬间，怡敏发现了陪妻购物的钟孝良，一时间心中似打翻了五味瓶……
◎4.6▶倒数说爱你
相信真爱终会相遇，相信有情人终成眷属，你我的爱情约定即刻开始倒数。谷雨轩（陈飞宇 饰）和韩书妍（周也 饰）儿时巧遇结缘，却又遗憾错过。长大后的两人再度相遇，命中注定般地坠入爱河，在历经恋爱的幸福与甜蜜后，却不得不共同面临命运的考验。时间的齿轮开始转动，双向奔赴的他们能否用爱创造奇迹？
◎4.5▶封神：画圣归来
商朝末年，武祖姜子牙率众神伐纣，赢得封神大战后归隐山林，但其斩将封神所用之神器——封神笔却失落千年，不知所踪。千年以后，开元年间。大唐画师吴道子为博“画圣”之名，意外发现了封神笔的踪迹。一时间，风起云涌，群英汇聚。一段英雄儿女的爱恨情仇就此展开，一场天崩地裂的家国危机就此来临，正邪之战一触即发，生死之间何去何从？
◎9.3▶第三种爱情
邹雨（刘亦菲 饰）是一名律师，事业有成的她却遭遇了婚姻的不幸，与此同时，她的妹妹邹月（孟佳 饰）亦因为陷入了同财团二公子林启正（宋承宪 饰）的苦恋之中而想不开企图自杀。愤怒的邹雨找到林启正想要替妹妹讨回公道，却发现妹妹不过是一厢情愿，林启正实则无辜。 一场意外让邹雨再度 遇见了林启正，随着时间的推移，邹雨的坚强和善良渐渐吸引了林启正，后者对其展开了热烈的追求。一直暗恋邹雨的同事高展旗（欧弟 饰）告诫邹雨远离林启正，而邹月对林启正的痴情和疯狂亦让邹雨对她心中火热的感情充满了不安和犹豫。种种波折之后，邹雨和林启正最终走到了一起，可就在此时，横空杀出的林启正的青梅竹马江心瑶（江语晨 饰）让两人的感情再度陷入了动荡之中。
◎4.5▶长夜将尽
保姆叶晓霖（万茜 饰）伪装进入老人家庭图谋行凶，因与饲养员马德勇（饶晓志 饰）的相遇打破了原有生活平衡，警察周平（屈楚萧 饰）在追查案件中与他们的命运交织。
◎6.6▶阿尼姆斯阿尼玛
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Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake Death Takes A Holiday (1971)
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◎7.4▶美梦成真2009
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◎--▶这样的爱
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◎--▶浮浮游游
故事发生在后疫情时代的上海：两个女性在一夜之间短暂相遇、彼此靠近，又各自走向不同的人生轨迹，呈现一则关于连接、流动与告别的酷儿情感切片。片名“Ephemera”意为“蜉蝣”，指向稍纵即逝却真实发生的情感瞬间。
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