内容简介
《Geats VS Revice VS 龙骑》冲击性的战斗现在开始。 作为假面骑士Revice“最后的故事”开始的第1部、Geats×Revice×龙骑的联动。 等待着被邀请参加Desire Grand Prix的浮世英寿们的是、被何人改变制作的新游戏「Desire Royale」。 暗中活动的谜之游戏管理员的策略，假面骑士之间的大激战！ 谜之假面骑士登场、前所未有的混战游戏开幕……！ 激战正酣，谁将成为最后赢家——然后赢家想要实现的愿望是什么。
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◎5.2▶氮气马戏团
少女在马戏团里迷上了帅气的空中飞人，两人双双跌入太阳马戏团的奇幻世界，开始了一段奇妙的旅程。他们置身于如梦幻遥远国度美轮美奂的场景中，穿越不同的马戏世界，历经重重的困难，寻找彼此。
◎5.6▶人类清除计划4
电影聚焦于导致清除计划发生的原因，讲述了由于人口膨胀，社会问题加剧，一个名为New Founding Fathers of America的组织进行了一种社会学理论测试，即在某一孤立的社区进行为时一晚的发泄、攻击、侵略，促成社区人们之间的相互残杀。这一制度在全美推广，一时间马路街道都成为了杀戮的战场。故事的荒谬性吸引了大量观众，第一年的杀戮日就要降临，恶魔们都已经准备好了。
◎4.7▶异能者2
拥有特殊技能的人被称为异能者，他们一起对抗邪恶组织营救人质的感人故事。
◎8.1▶最后五个人
Post-nuclear-war dramas centering on a small group of survivors now constitute an entire genre in science-fiction films. All of them, in some way or another, can be traced back to this seminal film from 1951 in which five people deal with the possibility they are the only human beings left alive on the planet. While most of the later movies exploited this possibility for B-movie thrills, Five adopts a quiet, contemplative tone which some may find dull but which thoughtful viewers are more likely to find, for want of a better word, haunting. There is something about this movie which gets under the skin and which lurks in the corners of the mind long after it's over.
◎7.1▶禁忌星球
本片是五十年代最著名的科幻片之一，讲述在2200年，太空人登录一个星球，发现那里只有劫后余生的医生和他的女儿。当他们计划把两个人带回地球时，却被神秘的怪物攻击，于是他们为了生存与怪兽进行了一场殊死的搏杀。导演弗雷德 M. 威尔科克斯制造出复杂玄妙的未来世界，比轰动一时的《星球大战》早先了二十年
◎8.9▶逆时空少女
这个城市里游荡着一个连环杀手,专挑特定女性下ccc。与此同时，公司职员孙小宝觉得最近有个黑衣人跟踪自己,而且明显地感觉到自己最近状态不佳,经常大脑一片空白,在自己不知情的情况下做出一些莫名其妙地事。黑衣人如影随行,其后孙小宝遭遇了几次“失忆”,孙小宝清醒后发现自己均置于危险境地。孙小宝隐隐觉得自己被人暗算了,于是孙小宝报了警。孙小宝生活在不断地失忆与恐惧中，警察也向孙小宝反馈了调查结果结合目击者与监控录像,警方认为没有证据显示有人要对孙小宝不利,跟踪者也不存在。警方认为孙小宝可能是因为压力太大而出现了幻觉,建议孙小宝去看医生。
◎7.6▶混凝土乌托邦
该片以大地震后荒废的首尔为背景，讲述聚集在此地唯一剩下的“皇宫公寓”里的生存者们的故事。
◎6.5▶等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
◎6▶真爱历险
浩浩和曼丽在现实世界是一对相互有点不太相信彼此的情侣，为了知道对方是否真的爱着自己，两人自愿去体验一个科技公司开发的一款新的3D元宇宙虚拟游戏。在游戏的设定里，一切都是假的，但只有玩家的内心感受和意识是真的，两人在3D元宇宙虚拟游戏中经历了一场生死劫难后并知晓了彼此爱着对方.
◎4.7▶天地大冲撞
“毕德曼慧星”正朝着地球飞奔而来，给人类致命一击。当局紧急行动，研究出一个最佳方案——由宇航员坦纳（罗伯特·杜瓦尔 Robert Duvall饰）驾驶“弥赛号”飞船飞往慧星，把预先准备好的核弹放置到慧星上面引爆，以令它化成碎片或是改变轨道。坦纳英勇地完成了任务，却发现并没有取得预期效果。慧星碎成了一大一小两部分，向地球步步逼近。 当局迅速采取最后的行动，用“诺亚方舟”计划保住包括人类在内的一些地球物种。这是一个秘密的地下庇护所，只有少数的人可以在这里避开大劫难，等灾难散尽后方重建世界。较小的那部分慧星已经撞向地球，引发山崩地裂，一片世界末日的景象。而跟随其后的大慧星给地球带来的毁灭程度，将远远超乎人们想象，力挽狂澜的人类进入了倒数时刻。
◎9.5▶暴风雨之星
Upon arrival to Venus, cosmonauts find furious volcanoes and sundry prehistoric beasts in Klushantev's film, based on a novel by the Soviet sci-fi writer Aleksandr Kazantsev. Footage has been recycled in three Corman productions Voyage to the Prehistoric Planet, Queen of Blood, and Voyage to the Planet of Prehistoric Women (the directorial debut of Peter Bogdanovich). 83min
◎3.7▶警告2021
亚历克斯·帕蒂弗(《关键第四号》《魔力麦克》)、夏洛特·勒·邦(《云中行走》《伊夫圣罗兰传》)加盟科幻新片《警告》(Warning)，詹姆斯·达西、劳拉·哈里尔、梅纳·马苏德(《阿拉丁》)参演，艺术家Agata Alexander献出电影长片导演首秀，并与Rob Michaelson、Jason Kaye编写剧本，冬季罗马尼亚开拍。 该片风格类似《黑镜》，设定在不远的将来的地球上，探讨当截然不同的生活发生碰撞时，孤独、死亡和生命的意义。