内容简介
女主被老板叫到家里打字，老板夫妇晚上都不在家。第二天早上老板让女主送他们去机场。本来女主应该送完还车，可女主没见过海，就一路从巴黎往南开。途中遇到咖啡厅大妈说认识她；在加油站遭到袭击，员工说没有人袭击她，但昨晚见过她；开夜车遇到警察也说见过她；住的酒店已经在前一天登记过。酒店里一夜情的男子骗了她车，当她找到车时，发现后备箱有具尸体。一夜情男子追上他说偷车之前就有尸体，还有把枪。她越来越迷茫，却被打昏了。是她疯了？还是另有阴谋？ Elle est la plus rousse, la plus myope, la plus sentimentale, la plus menteuse, la plus vraie, la plus déroutante, la plus obstinée, la plus inquiétante des héroïnes. La dame dans l’auto n’a jamais vu la mer, elle fuit la police et se répète sans cesse qu’elle n’est pas folle… Pourtant… (allocine)
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◎3.8▶满月危机
四个30多岁的老同学为了纪念旧日缘分，于是他们便前往泰国举行了最后一场好友派对。在经历了一个充满性、毒品和摇滚乐的夜晚后，一名年轻的泰国女子的尸体被冲到岸边。由于这四人是最后几个和她在一起的人，于是乎，他们也就顺理成章的成为了这起案件的主要嫌疑人。但随着时间推移，一场噩梦悄然袭来，身处异国他乡的四位好友，又应该何去何从？
◎8.9▶莫哈维沙漠
该片讲述了一位有自杀倾向的影星在沙漠遇到一位嗜杀成性的流浪者的故事。
◎5.5▶复出
A singer holes up at a sinister estate to write new songs for his act. The ghost of his murdered wife begins to haunt him, then the person who actually killed her shows up at the mansion.
◎4.1▶深度恐惧
Jonathan MacKinlay（Michael Jefferson 饰）经历了一场恐怖的车祸，这场车祸杀死了他的妻子，自此事之后，Jonathan MacKinlay一直患有恐怖症。妻子死后，他将自己困在家中，每天如此，只有他最好的朋友Taylor（Andrew Ruth 饰）、他的心理医生能帮他打破这种单调乏味的生活。后来，他开始相信有邪恶力量存在于他的家中，但是，这是真的吗？还是他自己的想象呢？他将要找到正确答案。
◎8.7▶大爵士乐队
戴蒙德上校被告知停止监视黑帮头子布朗,因为这种监视耗费过多的金钱,并且没有取得效果。戴蒙德唯有尝试通过布朗的女友来获得针对布朗的证据。
◎9▶魔镜咒
恐怖和奇怪的事件困扰着玛雅和她家人的生活，她怀疑舅舅和舅妈是幕后黑手，因为他们一直想要获得玛雅家从外公那里继承的房子和土地。但是这种贪恋吸引了一股可怕的力量，这股力量的目标是玛雅全家。
◎7.1▶拦截人魔岛
爱德华（大卫·休里斯 David Thewlis 饰）不幸的遭遇了一场空难，但幸运的是，他成为了空难里的幸存者，流落到了位于南太平洋的一座小岛上。在岛上，爱德华遇见了一群可怕的怪物，这些怪物和人类样貌相近，但却异常的嗜血残暴，很显然，这些怪物并不是在自然的情况下产生的。 原来，这座岛屿是一个名叫莫罗（马龙·白兰度 Marlon Brando 饰）的疯狂博士的实验室，莫罗博士一直坚信可以通过杂交人类与野兽的基因来培养出一种完美的物种，但现实是，这座岛上半人半兽的怪物越来越多了，最终，莫罗博士也成为了他的试验品的手下冤魂，只留下了爱德华独自一人面对这棘手的情况。
◎8.8▶羊崽
“Lamb” is the story of a childless couple, María (Rapace) and Ingvar, who are sheep farmers in Iceland. On Christmas Eve they find a newborn who is half human, half sheep. Longing for a child of their own they decide to keep the lamb-child and raise it as their own regardless of the consequences.
◎8.3▶不耻真相
为了关系疏远的妹妹，杰出的推理小说家和犯罪专家格蕾丝（艾莉莎·米兰诺饰）赶回了位于华盛顿特区的家宅。当妹妹被人谋杀，其在背地里做网络直播的事亦浮出水面。格蕾丝无视头脑冷静的侦探艾德（山姆·佩奇饰）的警告，卷入了此案。改编自诺拉·罗伯茨的小说《Brazen Virtue》。
◎7.9▶外星恶客
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
◎8.2▶双重赔偿
Walter Neff（弗莱德·麦克莫瑞 Fred MacMurray 饰）是一个成功的保险代理人，他在夜里回到办公室，开始在一个录音机上诉说他的故事...... Neff为了取得Dietrichson先生的保险代理权，来到了他的家中，Dietrichson先生不在，Neff遇到了Dietrichson先生的新妻子Phyllis Dietrichson（芭芭拉·斯坦威克 Barbara Stanwyck 饰）。美丽的Phyllis让Neff感到不自然，而她也开始说起她的丈夫的诸多不好之处。在第二次拜访中，Neff终于控制不住自己的欲望，愿意参与Phyllis的杀夫计划。Neff计划在Dietrichson先生坐火车的时候制造他失足摔下的假象，以骗取“双重保险”。一切进行的非常顺利，Dietrichson先生死掉了，Neff和Phyllis两人的爱情和金钱似乎都有了保障。然而，Neff的好友保险调查员Barton Keyes （爱德华·罗宾逊 Edward G. Robinson 饰）却觉得事有蹊跷，开始调查整个事件...... 本片改编自James M. Cain于1943年出版的同名小说，由导演比利·怀尔德和侦探小说作家雷蒙德·钱德勒共同编剧，获第17届奥斯卡最佳影片等7项提名。
◎8.9▶十亿韩元
电视制片人韩基泰（朴海日 饰）与送外卖的赵有真（申敏儿 饰）同其他六位职业、年龄各不相同的陌生男女先后收到奖金高达10亿韩元的网络生存游戏参赛邀请。四队青年男女被节目组送达人迹罕至的澳洲帕斯地区，他们将按照节目导演张明哲（朴熙顺 饰）的游戏规则角逐出惟一赢家。 但游戏开始之后，参与者们很快感到事情蹊跷，不久即有选手殒命，游戏演变成参与者千方百计摆脱导演控制的亡命旅程，但在这荒无人烟的西澳洲荒漠，导演似乎化身为掌握一切的力量。究竟八人为何被聚在一起？导演意图何在？被解救后的赵有真在病床上回忆起事件的整个经过……