内容简介
就读于医科大学的维加德（Lasse Valdal 饰）及好友们驱车前往厄克斯尼湾附近的雪山，计划与其先行到达那里的女友莎拉（Ane Dahl Torp 饰）会合一同度假。当晚，他们从一个流浪汉（Bjørn Sundquist 饰）那里听到流传在此地的一个恐怖传说：二战期间，一支德国部队驻扎这里，他们从当地人手中大肆搜刮金银财宝，手段残酷，贪婪无度，但在战争结束前夕该部队却被愤怒的民众杀死，只有为首的赫尔措格指挥官（Ørjan Gamst 饰）极少数几个人躲进了雪山之中。 年轻人们对此当然嗤之以鼻，但随着一盒财宝的出现，埋藏在雪中的纳粹僵尸开始一一复活，准备夺回一曾属于他们的财宝……
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◎7.2▶凶恶
供职于明潮杂志社的记者藤井修一（山田孝之 饰）被主编安排前往东京监狱，会见不久前向杂志社寄来要求会面信件的死刑犯——穷凶恶极并且血债累累的黑帮头目须藤纯次（皮埃尔泷 饰）。须藤开门见山讲明原由，入狱前他曾受被人称作“老师”的房地产经纪木村孝雄（Lily Franky 饰）之托，采用各种巧取豪夺的方式骗取土地所有权和保险金，甚至不惜为此杀人。现如今须藤锒铛入狱，等待死刑的到来，而“老师”则逍遥法外，快活如初。须藤无法原谅“老师”对自己的利用和欺骗，发誓要将其一同带入地狱。为了博得藤井的信任，须藤讲述了三桩从未向警方供述的命案。藤井在毫无援手的情况下展开调查，终于发现一个个最为丑陋邪恶的人性实例…… 本片基于真实事件改编，并获2013年日本电影旬报十佳影片第三名。
◎3.8▶死神之夜
In 1980's suburbia, exactly a year after a young woman is brutally murdered by babysitter killer The Reaper, her sister, Deena returns home just as the Reaper returns. When Deena steps in to babysit the town Sheriff's son the evening escalates with shocking and unexpected results.
◎9.3▶被埋葬了
在不久的将来，人类文明遭遇未知力量的毁灭性打击。逃入森林伸出的席默思发现了一个地下避难所，里面居住着一名自称康拉德的男人，与他声称陷入昏迷的妻子。 无法安全离开此处的二人必须在这个地下避难所分享有限的食物与空间。就如一切恐怖故事所揭示的命运一样，某种超乎寻常的危机正在悄然发生……
◎4.7▶惊声尖笑
6 个朋友：辛迪（安娜•法瑞丝 Anna•Faris 饰），鲍比（琼•阿伯拉罕Jon•Abrahams 饰），布佛（莎诺•伊丽莎白 Shannon Elizabeth 饰），格雷戈（拉科恩•玛诺 Lochlyn Munro 饰），雷（肖恩•韦恩斯 Shawn Wayans 饰） ，和布兰达（雷吉娜•赫尔 Regina Hall 饰）现在正深陷困境，被一位连环杀手跟踪。事情起源于他们在去年万圣节的晚上开车回家时发生了车祸，为了逃避责任，他们没有报警，而是选择逃离了现场。现今，一位自称知道他们的事的连环杀手，似乎已经从恐怖电影里走出来，进入了他们的生活。六位好友将不得不想方设法逃离这个杀手的魔掌和那些恼人的记者，如果他们想活下去的话……
◎6.5▶画皮青衣
毕业于警备学堂的上海滩侦探宋天鹏一心做个除暴安良的好侦探，可世道不济，生活窘迫。就在此时，宋天鹏接了一个老宅闹鬼案。宋天鹏本以为凭着自己的能力和经验这个案子无非就是个恶作剧而已，很快就能结束，谁知却让他陷入了一个恩怨纠葛的案中案之中......
◎6▶茜茜
Cecilia and Emma were tween-age BFFs who were going to grow old together and never let anything come between them, until Alex arrived on the scene. Twelve years later, Cecilia is a successful social media influencer living the dream of an independent, modern millennial woman... until she runs into Emma for the first time in over a decade. Emma invites Cecilia away on her bachelorette weekend at a remote cabin in the mountains, where Alex proceeds to make Cecilia’s weekend a living hell. #triggered
◎7.7▶被窃油画的假设
Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.
◎4.8▶再生门
平静的郊外社区，小有名气的画家大卫·安德纳赫（麦德斯·米科尔森 Mads Mikkelsen 饰）与隔壁女邻居有染。某天当他鬼混时，女儿里奥妮（Valeria Eisenbart 饰）却在自家泳池溺毙。该事件直接导致他和妻子玛雅（洁西卡·史瓦兹 Jessica Schwarz 饰）的婚姻破裂，悲伤自责的大卫自暴自弃，一度试图自杀了结生命。被好友马克思（Tim Seyfi 饰）从死亡边缘拉回后的夜晚，大卫跟随一只神秘而美丽的蝴蝶穿过一条通道，竟意外回到了5年前事故发生的那一刻，成功救下女儿的性命。悲剧人生似乎发生转机，然而随后一连串的连锁事件却让他陷入命运漩涡，难以抽身…… 本片荣获2010年德国影评人协会最佳影片奖。
◎7.9▶虐杀102
一个女记者（或者是记者之类的职业），为了丰厚的酬劳及名誉，决定完成一篇关于SNUFF（虐杀电影）的研究报告。她从一些地下网站找到了相关的视频资料，被DV中的残暴及虐待的场景折磨的呕吐。但是这个论题还是要继续下去，她想靠此篇论述获得成功。 她根据资料，找到了一名专门著书理学的专家，这个男人文质彬彬。女记者就他书中所写过的那些关于影像暴力的传播做些解答及阐述，以便于自己论文的丰富细。男人在讲述的过程中，一直平静始终。从社会学到心理学一一发表了自己的看法。女记者虽然获益良多，但是这个男人对虐杀电影从心里道技巧的详细掌握也让她愁云不解。在男人接电话的空挡，女记者翻阅了男人柜子里面的一些东西，发现了无数标注了号码的录影带及照片……
◎6.8▶失惊无神
一年前的一次问心游戏，原本是同学的阿健（吴浩康饰）、阿泽（萧正楠饰）阿健、阿喜喜欢的人都是富家女阿淑（傅颖饰），而阿淑喜欢的人则是正与好姊妹阿丽（邓丽欣饰）拍拖的阿勤（李逸朗饰）。众人自此各有心结。阿勤更无端失踪。 一年后，阿淑从国外回国，邀请大家到自己的别墅去叙旧。 刚入住不久，便有很多离奇的事发生，每有一个人失踪或被杀，其中一间客房便多一个黑掌印出现，剩下的3人各自猜测，互不信任。 当各人都人心惶惶之际，更出乎意料的事发生了。
◎8▶迷失太空2013
人类实施月球登陆科研计划将近半年时间，驻月球表面的太空站上，队长杰拉德·布劳什曼（克里斯蒂安·斯莱特 Christian Slater 饰）率领兰斯·克劳斯（布兰登·费尔 Brendan Fehr 饰）、艾娃·卡梅隆（艾米·梅蒂索 Amy Matysio 饰）和布鲁斯·约翰斯（迈克·泰瑞尔特 Michael Therriault 饰）日复一日推进他们的科研工作。这一日，强烈的太空风暴突袭月球，太空战遭到陨石强烈打击，通讯设备遭到损毁，这支四人科研小组与地球失去了联系。风暴过后，队长命令检查受损情况，并且带回一枚陨石样本。他们惊讶地发现，陨石上竟然附着了神秘生物。 恶梦就此拉开序幕，、外星恶魔在孤岛月球对无助的地球人展开残酷杀戮……
◎7.9▶外星恶客
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.