内容简介
An actress preparing to return to acting after a long hiatus, who gets caught up in an unexpected incident and heads straight towards catastrophe.
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◎4.4▶鹊之家
当本和安妮特的女儿玛蒂尔达在一部电影中与一位光彩夺目的电影明星艾丽西亚共同出演时，本立刻对艾丽西亚产生了迷恋。留在家中照顾婴儿的安妮特，越来越意识到本对艾丽西亚的痴迷，这让她的心理承受到了极限，她拼命努力维持家庭的完整。然而，在朋友证实了她最糟糕的担忧后，安妮特设计了一种方法与艾丽西亚见面，并开始编织一个复杂的网，企图抓住本并揭露他的真面目。
◎3.8▶多萝西娅
美国80年代，看似慈祥的“奶奶”多萝西娅·普恩特，以寄宿公寓为诱饵，下药、杀害、掩埋数十位弱势老年与残疾租客，将花园变成埋尸地。狱中濒死的她，回溯自己从受虐者到连环杀手的黑暗一生，用温柔表象包裹极致贪婪与残忍。
◎7.8▶家庭血液
Ellie, a recovering drug addict, has just moved to a new city with her two teenage children. She has struggled to stay sober in the past and is determined to make it work this time, finding a stable job and regularly attending her meetings. Unfortunately, new friends, a new job, and the chance of a new life, can't keep Ellie from slipping once again. Her life changes when she meets Christopher - a different kind of addict - which forces her daughter and son to accept a new version of Ellie.
◎7.3▶狂野街头
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
◎5.3▶鲜肉
An erotic body-swapping horror where a psychiatrist becomes obsessed with one of her young clients with multiple personalities.
◎6.4▶决案
為了幫助好友克里斯戒除毒癮，麥克真的豁出去了：他居然把克里斯抓到荒郊野外的露營車裡，打算來個與世隔絕的勒戒抗戰！但是漸漸地，他發現事情不大對勁，早上踏出露營車，門口出現了一捲錄影帶；車上無端端多了一片 CD；電子信箱裡還有人寄來神秘的影片，上述所有不請自來的影像，拍的全都是麥克與克里斯的監視紀錄！兩人的情緒被逼至緊繃，而他們收到的最後一段影片裡，居然是他們被殺掉的畫面……劇情曲折離奇，沒到最後關頭，絕對無法猜出真相！
◎8.5▶鬼哭神嚎4阴魂不散
The demonic forces in the haunted Long Island house escape through a mystical lamp which finds its way to a remote California mansion where the evil manipulates a little girl by manifesting itself in the form of her dead father.
◎4.7▶阴阳路17：监房有鬼
毕基于酒吧捡到一包毒品，适时警察出现，基被指贩毒，后被判入狱。龙娣于外地回港，才知毕基出事。龙娣忙往监狱探访毕基，见基面色有异，算出基被女鬼缠上。为求化解灾劫，龙娣要从仁、八、九中抽选其中一人入狱
◎3▶鬼域
女作家徐寻（李心洁）在处女小说获得空前成功后陷入创作困境。在创作新的定名为《鬼域》的小说时，她期望向读者呈现一个如幻似真的“诡异空间”，无奈反反复复几次构想出来的故事情节都差强人意，而昔日情人的再一次现身，更令她心绪纷乱，一怒之下，她删除了电脑里的《鬼域》初稿，却自此进入自己虚构出来的“鬼域”。 一番惊险之旅之后，徐寻在鬼域里遇见一小女孩（曾雅琪），得知鬼域意为“被遗弃的空间”，现实生活中人们所遗弃的一切（包括打掉的胎儿），都能在这里找到。在该女孩的帮助下，徐寻开始了更加恐怖的逃亡旅程，后来两人在鬼域老伯（刘兆铭）的指点下，朝鬼域的出口奔去，小女孩的身世之谜逐渐被揭开。
◎6.5▶童眼
来自香港的琳妮（杨丞琳 饰）和乐仔（余文乐 饰）以及其他4名男女朋友飞赴泰国旅游，感情出现问题的琳妮和乐仔原本想借此弥合矛盾，然而一切未见好转。偏偏赶上泰国动乱，6人未及玩耍，匆匆收拾行李直奔机场，机场又让示威人员占领。万般无奈，他们只好在一个古旧的小旅店落脚。街道上已然动乱不堪，这间旅店又似乎充满悬疑和诡异，年轻人们一度放松快乐的心情被搞得惊恐慌乱。 在一起恐怖的事件过后，乐仔和其他两名男孩神秘失踪。琳妮等人四下寻找，不见踪影。从当地一个小孩的口中，她们听到一则令人毛骨悚然的讯息：乐仔等人竟被一个女鬼抓走……
◎6.1▶身体集合.zip
老么記者詩京潛入邪教團體取材。詩京被受邀參加特別的儀式，信徒們依序祈願並獻上祭品。接著終於輪到詩京了，這時她才驚覺祭品竟然是身體的一個部位，這令她衝擊不已。眼睛、鼻子、嘴巴……圍繞在身體各部位的6個故事，當集滿身體所有部位時，血淋淋的恐懼就會覺醒！
◎7.9▶逃出夺命镇
荒村废屋、枯树阴风，一场复仇绑架悄然上演。这一切竟是一场惊天骗局引发的血案，家破人亡的王艳涛决定手刃仇人，荒野废屋逼问真相，烂尾楼内隐藏巨额赃款，昔日同伙反目互撕。当王艳涛举起屠刀，谁能在黑暗中全身而退？传媒黑幕，惊悚揭晓！